Hanfu also includes accessories, such as footwear. There were many etiquette which rule people’s daily lives, and this included the use and etiquette of shoes and socks wearing. In the Qin dynasty, shoes were referred as ju (屦). The word xie (鞋) eventually replaced the word lü to become a general name for shoes. Since the ancient times, Chinese shoes came in various kinds; there were leather shoes (made of tanbark and pelt), cloth shoes (made of silk, hemp, damask, brocade, and crepe), and straw shoes (made of leaves and stems of cattail, corn leaves, and kudzu), ji (屐; wooden clogs). Collectively, shoes are typically called lü (履) since the Han dynasty. Han Chinese typically wore lü (regular shoes), xi (shoes with thick soles), and ji (wooden clogs). Lü (履) were worn for formal occasions whereas ji (屐) was used for informal occasions. Ju (屦) Shoes Some shoes worn in Qin were square-headed; they were generally worn by archers. Different shoes were worn based on their appropriateness for specific occasions; shoes also denoted the social ranks of its wearers. Straw shoes, or straw sandals. Straw shoes were worn by almost all people in ancient China regardless of social ranks; nomadic tribes were the exception. Curled up Shoe Some ancient Chinese shoes had curled up-shoes, i.e. shoes with rising toe caps, and could come in different shapes, such as tiger heads and phoenixes. Different types of leaves and leaves would be woven together to create these types of shoes. Lianlü (蓮履) Lotus shoes Lotus shoes were worn by women who had bound feet. Exact date of origin is unknown. Based on folk stories, it may have appeared in the Five dynasties period or in the Sui dynasty. These shoes were worn by Han Chinese Chinese children to scare off bad spirits. Tiger-head shoes Also known as “tiger shoes”. They are usually worn along with the tiger head hat. They vary in styles depending on regional culture. Embroidered shoes Also known as Chinese shoes, Chinese-style embroidered shoes, and Chinese slippers, are a well-known sub-type of traditional Chinese cloth shoes (中国布鞋);There are many shoe styles. The xiuhuaxie are characterized by its use of elaborate and colourful Chinese embroideries to create pattern on the shoes.The traditional handicraft of making xiuhuaxie is fully indigenous to China. Ji (屐) Wooden Clogs were shoes with two bars running perpendicular under the sole. In Han dynasty, clogs were used on women’s wedding day; they were decorated with colourful designs and ribbons. In the Jin dynasty, a new type of clogs were made. A clog with removable bars, called “Lord Xie Shoe”; it was called after the Southern dynasties period poet Xie Lingyun whose creation of the shoe is attributed to. The sole, upper and bars were made with a single, whole piece of wood. Xue (靴) Leather boots Leather boots were introduced by King Wuling of Zhao. Xueji (靴屐) Boot-like clogs The clogs which were worn in Southern China gradually became more boot-like after the Tang dynasty. The Han Chinese also made women’s boots. They were generally worn by generals and calvarymen in Qin dynasty. In the Northerners wore leather boots when horseback riding in the Northern and Southern dynasties. Yang, Shaorong (2004). Traditional Chinese clothing : costumes, adornments & culture (1st ed.). San Francisco: Long River Press. Han socks, Mawangdui Tomb, Han dynasty. Hsu, Cho-yun (2012). China: A New Cultural History. Columbia University Press. p. Masters of Chinese Studies (illustrated ed.). Dien, Albert E. (2007). Six dynasties civilization. New Haven, Conn.: Yale University Press. Chen, Hui (2017). “Research on Innovation and Application of Styling Elements of Tiger Head Shoes”. Bonds, Alexandra B. (2019). Beijing opera costumes : the visual communication of character and culture. Proceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Advances in Social Science, Education and Humanities Research. Garrett, Valery M. (2007). Chinese dress : from the Qing Dynasty to the Present. Vol. 171. Atlantis Press. Jin, Zhilin; 靳之林. Dehua Wang, Bei Jin, 金蓓. Beijing: China International Press. 2004). Chinese folk arts. This page was last edited on 21 June 2024, at 16:53 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. China National Silk Museum. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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