Uncategorized

The Ruqun is one of the most iconic and versatile types of Hanfu. Asia holds one of the largest collections of different cultures, including the Chinese and Koreans. Treat it as a Costume: Hanfu holds deep cultural significance, so don’t treat it like cosplay. For those new to the sizing standards used in China, it’s advisable to consult these charts meticulously or to opt for custom-made options, which can be a delightful treat for those seeking a perfect fit. The style of sleeves in Hanfu can vary significantly. The outer layer varies depending on the specific Hanfu style. The traditional Hanfu ensemble is characterized by its multilayered structure, and the number of layers can vary depending on the specific type of Hanfu, the occasion, and personal preferences. Zhiju is characterized by its simplicity and elegance. In this comprehensive guide, we will delve into the fascinating world of Hanfu, exploring the many types available and unraveling the intricate layers that contribute to its timeless elegance. Despite previous generations wearing traditional clothing near-entirely, following the end of World War II, Western clothing and fashion became increasingly popular due to their increasingly-available nature and, over time, their cheaper price.

It is now increasingly rare for someone to wear traditional clothing as everyday clothes, and over time, traditional clothes within Japan have garnered an association with being difficult to wear and expensive. In a phenomenon that is rapidly growing in popularity over the last two years, spring now also signals nostalgia for hanfu, an umbrella term for a wide range of traditional or traditionally inspired Chinese clothing. Taobao: China’s largest online shopping platform offers an extensive range of Hanfu. Zhongyi and Shangyi combinations offer a range of possibilities for mixing and matching to create unique looks. The Shangyi is typically a cross-collar jacket, while the Zhongyi can vary in style. This style was popularized by Tang Dynasty court dancers and has a dynamic and graceful appearance. All the zhisun worn by Han Chinese during court banquets all the same form and design. Hanfu, the traditional attire of the Han Chinese, is a cultural treasure that spans thousands of years. Generally, a complete Hanfu outfit consists of several layers, each contributing to the overall elegance and symbolism of the attire.

These base layers provide a foundation for additional garments and contribute to the overall aesthetic of the outfit. According to the Discourse of Northern Learning (Pukhak ŭi; 北學議: 완역정본) by Pak Chega (1750-1805) who visited the Qing dynasty in 1778, Chinese women wore upper and lower garments which were similar to those worn in ancient paintings. Men’s hanfu garments have a very long history since in the earliest dynasty, ancient women also wore male hanfu clothing. In the Zhou dynasty, clothes became a symbol of power and wealth. When looking at the Hanfu from the Ming Dynasty, it’s enlightening to juxtapose it with its predecessors, such as the Tang and Song Dynasties, tang dynasty male hanfu as well as understand its influence on subsequent eras. It became particularly popular during the Ming and Qing Dynasties. It is also the most common form of attire for (both male and female) officials and nobles during the Ming Dynasty. The various types of Hanfu and the art of layering showcase the adaptability and timelessness of this traditional attire.

While it’s challenging to provide an exhaustive list due to the multitude of regional variations and historical influences, I can introduce you to some of the major types of Hanfu. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku), which encompasses all else not recognised as either national dress or the dress of another country. For travelers wanting to take home a piece of Hanfu, there are many stores-both physical and online-where you can purchase an authentic set. The cheongsam is most often seen as a longer, figure-fitting, one piece garment with a standing collar, an asymmetric, left-over-right (youren) opening and two side slits, and embellished with Chinese frog fasteners on the lapel and the collar. Hanfu is more than just clothing-it’s a living piece of Chinese heritage that travelers can actively experience. Hanfu, with its diverse styles and intricate layers, represents a living testament to China’s rich cultural heritage. Sleeve styles may change based on the wearer’s gender, the specific historical period, and the formality of the occasion.

The hanfu came in good quality material and detailed embroidery-my entire family adored it & asked me to wear it on my birthday to show my cousins. Very cheap quality and the sizing is awful. Just received my parcel today and got to say I am impressed x At first I was worried about the sizing but it turns out to be correct to my size x I was so close to getting a size S when it states that for UK size 8-10 it would be a size S but thank god the customer service got back to me stating a size M would be a much better fit for a UK size 10 and so one happy customer here! I personally don’t know much more about them, so that’s all for the semis. Quite disappointed and don’t understand the hype. Their loose clothing and head coverings suit the traditions and climate of India, where sari wraps like the Royalgirl Elephante’s have been worn for thousands of years. Aside from the cape, the Royalboy Gnorbu is perhaps the most modern looking royal, in a bright green suit.

Red and gold, very visible on the Royalgirl headdress and all the Royalboy clothes, have traditionally been seen as representing wealth and good luck in China. 45 days, ship it yourself to china with tracking and responsible for extra charges associated with customs. In recent years, qipao traditional renewed interest in traditional Chinese culture has led to a movement in China advocating for the revival of hanfu. Encyclopedia of Korean Culture. If you’re looking for unique, high-quality pieces that mix traditional Chinese culture with modern fashion, this brand is definitely the way to go. I love that this brand is all about preserving cultural heritage while also being trendy. The Royalgirl Gelert has a hennin much like the Acaras and Aishas, while the Royalboy stands out in his foppishly coloured clothes. The Royalboy comes with a great fur coat, while the Royalgirl’s dress is covered in a snowflake motif, referencing the homeland of the species. The Royalboy also seems to reference the Kougra’s feline appearance, with a large ruff of fur around his neck like a lion – the King of the Jungle.

The Royal Jetsams appear to take inspiration from the mythical Earth kingdom of Atlantis, which in mythology sunk beneath the ocean and is sometimes depicted as still surviving down there (much like Neopia’s Maraqua). 5 Since Zhu Xi put so much emphasis on the dress code, the literati eventually gradually developed their own dressing style as an accepted custom, which included the daofu which was worn as a form of leisure clothing. I like this style of clothes very much, and the logistics are relatively timely. It fits me like a glove and I feel like royalty whenever I wear it. You can tell a lot of care went into making it, and it fits me perfectly. I like it, I hope new styles come out! I like their style and quality. He looks more like a member of the nobility than a King – a member of the court rather than ruling over it. You can choose to support natural fibres which are generally more environmentally friendly over synthetics, and you can choose to actually make well fitted and well made clothes. “Truth be told, archaeological research does not support many of the hanfu choices popular among Gen Z today – such as Tang-style hezi (strapless undergarments) and skirts; so-called ‘Wei and Jin period’ style garments; or Song-style pants with elasticated waistbands.

Beijing’s cheongsam style is more traditional and conservative than Shanghai’s and Hong Kong’s. The Eyries are perhaps one of the more generic styled royals out there – though that’s not saying they don’t look the part! I’m so excited to wear it out and show it off! And the silk pants are incredibly soft and comfy, I could wear them forever. It is suggested that a type of banbi was adopted from Central Asia during the Tang dynasty through the Silk Road when cultural exchanges were frequent, and that it was also known as beizi during Tang dynasty. Sui dynasty, Tang dynasty and Five Dynasties and Ten Kingdoms period. 18,20 The mangfu was worn in the Ming and Qing dynasties. However, it was actually developed from zhiduo during the Ming Dynasty, and is worn over a skirt. During the Western Zhou dynasty, the hierarchical system was gradually established, and the Zhou dynasty established official positions such as “Si Fu” and “Nei Si Fu”, which were in charge of royal attire. In the Qin dynasty, shoes were referred as ju (屦). I find my finished piece to be really amazing(for someone who was just flailing about) and I am rather happy with the result.

If you liked this write-up and you would like to receive extra facts relating to ming dynasty hanfu male kindly pay a visit to our own web-site.

Thank you for this article, I’d love to sew a hanfu but it’s hard to find information and tutorials! As a Chinese history nerd, I love the idea of wearing Hanfu, but am hesitant to do so because of the association of Hanfu with Han ethnonationalism. Ming Tombs (in Chinese). Meanwhile, Ming dynasty clothing often featured pleated skirts and wide collars. There are four traditional piping techniques used in the making of the cheongsam: gun (滚; ‘roll’) which is a narrow strips of fabric roll around the raw edge of the garment and is the most commonly used nowadays, xiang (镶) which is broad edging typically found in Manchu clothing of the Qing dynasty and the early cheongsam and is now quite rare, qian (嵌) is a very narrow strip of fabric which is even narrower than the gun, mochi hanfu and dang (宕) is a specific type of xiang technique which uses a narrow strip of fabric which is stitched on the dress. A means a general body type. It is a sleeve type with a classical flavor.

Fast-forward to today and a younger generation, in step with a growing and more powerful China, is mining the country’s rich history to express a sense of national identity through clothing. Hanfu, a traditional Chinese garment, is a living symbol of China’s rich cultural heritage. Driven by a mix of rising nationalism, savvy local branding, and KOL-propelled hype, the rise of Hanfu is a telling example of what young Chinese consumers want from brands today – an acknowledgment of their cultural heritage and a post-hegemonic attitude to style making. Some support the Chinese government’s discrimination and persecution of Uighurs and Tibetans, blue hanfu believing that they are helping ethnic minorities by bringing Han culture to them – a manner of thinking not unlike that of European colonizers towards indigenous peoples. The vast majority of Chinese people – 92% of the mainland Chinese population and 95% of the Taiwanese population – are of the Han ethnicity. So, the Qing dynasty was unique in that its ruling class was the Manchu minority ruling over the Han majority, rather than the Han majority ruling over various ethnic minorities. Photos of lavish weddings where the couple is wearing Tang or Ming dynasty costumes instead of the popular white wedding gowns that mimic Western tradition are shared on social media from time to time.

More Western elements are used in the designs and colors of Shanghai-style cheongsams. It is an adaption of Western-style dress during the Republic of China era when people were open to the Western cultures. However, the popularity ultimately declined in the 1970s, giving way for cheaper and mass-produced Western-style clothing. The practical use Chinese clothes, Asian clothes and oriental clothes court dress is cheongsam and qipao now obsolete in the Chinese clothing modern age since there is cheongsam and qipao no reigning monarch in China anymore. There is a jade on the front region of the scarf which can help to adjust the scarf wearing in proper direction. Zhuangzijin (庄子巾)/ Chonghe scarf/ Nanhua scarf It is worn by the Taoist priests from Quanzhen school of Hong Kong. According Chinese costume, Asian costume and oriental costume Tang Dynasty scholar Kong Yingda’s official commentary Chinese costume, Asian costume and oriental costume Zuo Zhuan and Shang Shu, Chinese clothing plays an important role in the Chinese clothing Chinese ethnic identity. For example, Han dynasty clothing was a loose, one piece robe to emphasize modesty, while skirts during the Tang dynasty were typically tied above or on the bust to create the outline of a fuller figure.

Wearing a flowing robe adorned with beaded embroidery with a finely crafted silk fan in hand, Wang Runjie looked like she was a time traveler from a bygone era, and she turned plenty of heads while strolling through downtown Shanghai. While there are Hanfu wearers who do not express such ethnonationalist views, their reasons for wearing Hanfu are almost always related to pride for their ethnic and national identity – even those who are simply making a fashion statement, since people appreciate the look precisely because it represents Chinese culture. Similar attire was worn by female members of the Swedish team and of the Spanish team in the opening ceremony, with the national colors. Lan Shan (襴衫) is the traditional Chinese attire for men. 129 The changshan was actually developed by the Han Chinese through the modification of their own Ming dynasty’s Hanfu by adopting some Manchu men’s clothing elements in one of their Hanfu changshan. Between 1161-1189 AD, many Jurchens appear to have begun adopting Han Chinese behavior and forgetting their own traditions and languages; therefore, the Emperor Shizong of Jin prohibited the Jurchens from dressing like the Han Chinese in 1191 AD (which they had been doing for forty years) and from adopting Chinese family and personal names as he wanted to revitalize the old Jurchen culture.

If you loved this post and you would certainly such as to receive even more information pertaining to wedding cheongsam kindly go to our internet site.

This inspiring business woman looks to foster greater inclusivity, dialogue and love of hanfu amongst the communities who appreciate this rich tradition. YW: Why did you decide to start your own business in relation to hanfu? Two of which have encouraged me to start a business in relation to Hanfu and offered me collaboration. Cindy: I strive to introduce affordable and quality Hanfu to each and everyone, and hence the biggest challenge about my business is the ever increasing shipping costs. YW: What has been the biggest challenge about starting your own business? YW: How did you get into hanfu? This is but one of his many outfits since travel can be rough on clothes, and even more so when you get kidnapped by demons and thrown off your horse all the time. The silk weaving technology of the time was highly advanced, allowing for intricate embroidery and detailed patterns tailored to individual preferences by skilled artisans.

Even today, I am still very fascinated about the fashion (especially make up) at that period of time and how people portray beauty back then. The Chinese embassy in Seoul responded that: “These traditional cultures belong to both the peninsula and the Korean people of China, and claims of … I’m Cindy, born and raise in sunny Singapore, is an avid fan of ancient Chinese history and literature. Hanfu is a relatively modern design which was influenced by Chinese movies and television drama series and does not exist in history. These elaborate designs significantly influenced subsequent dynasties’ garment designs and continue to inspire modern fashion, blending traditional aesthetics with contemporary styles. It was worn at least since the Ming and Qing dynasties. As Han women were not forced to change into Manchu clothing in the Qing dynasty, Han women of the Qing dynasty followed the style of female jacket worn in the Ming dynasty. Coloured hats worn by commoner women on their wedding ceremony during the Ming and Qing dynasty was also called fengguan.

It was not uncommon for women to wear garments that bared the chest and arms, a style reminiscent of modern evening wear but more modest in its coverage. This type of clothing was adapted from the Manchu ethnic clothing, that of the empire that ruled China during the Qing dynasty from 1644. Cultural wear in China has a long history, and what is overlooked is hanfu, the traditional clothing of the Han Chinese ethnic group. The Lianpan Shan, with its distinctive crossed collars, and the Tianzige Shan, distinguished by its voluminous sleeves, are notable variations of this type of Hanfu. Modern beizi are often styled as jackets or coats, making them suitable for everyday wear. What is exciting is to see a new generation of Chinese people rediscover this traditional wear. It takes two months to two years, depending on the number of people waiting in line and the manufacturing process that a dress needs. When people think of Chinese cultural wear, what often comes to mind is the qipao or cheongsam. The Tang Dynasty, often regarded as a golden era of Chinese history, represents a pinnacle in both intellectual and material achievements of ancient China. As the epicenter of economic and cultural exchange in Asia, Tang China assimilated and integrated elements from Indian and Persian cultures, silk cheongsam enriching its own cultural tapestry.

Cindy: The decision was made on one of our trip to China. Cindy: My father, a fan of China historical films and martial arts novels, often told me about classical allusions when I was a child. This contributed significantly to my love for Chinese classical culture. Cindy: I’d love to thank @tornandpolished for this extraordinary opportunity before anything else. We searched the whole ancient town to find it and the retailers there were surprised by a foreigner’s love for Hanfu. We were there for our pre-wedding photoshoot and we wanted a Hanfu themed outfit that our package did not cater. There are many patterns available online for free or to buy. These patterns often incorporated wavy lines, creating a sense of movement and fluidity. Join the global movement of cultural appreciation and elevate your wardrobe with the unique allure of Men’s Hanfu, available exclusively on AliExpress. From New User Coupons to Store Coupons, there’s plenty of discounts you can find by simply exploring AliExpress or by playing fun games! Just before completing your order, take a moment to check for coupons and you’ll save even more on chinese tang dynasty hanfu. The diversity of Tang Dynasty clothing is striking, with numerous totems of mythical creatures and animals, alongside intricate floral and arboreal embroidery.

Agenda-setting intelligence, analysis and advice for the global fashion community. BEIJING, China – Dressing for Beijing’s winter sometimes means compromising on style. Combination ear muffs and face masks are ubiquitous now that temperatures have fallen below zero and pollution levels regularly read “unhealthy”. But members of the Beijing Hanfu Society persist in dressing in gauzy gowns and silk robes – at least indoors. With similar groups popping up everywhere from Brisbane to Toronto, Hanfu is rapidly growing in popularity, especially among young Chinese women – the average age of wearers is just 21, and nine out of ten are female, according to an industry report published on Sohu. That’s a relatively small fraction of China’s 1.39 billion people, but the growing fascination with ostensibly traditional Chinese clothing has broad implications for fashion brands. Why ostensibly? Because Hanfu’s historical credentials are dubious. For most Hanfu wearers, though, historical accuracy and nationalism are beside the point. Together, wuxia and palace dramas constitute an imaginative world that’s vaster and more compelling to Chinese viewers than the Marvel Universe, which has made over $5 billion in merchandise sales. Some commentators see the trend as retrofitting in service of a new Chinese nationalism. Sun, 28, lives in Huzhou, Zhejiang province, where she runs a fried chicken store. “When I was really small, I liked to wear a sheet to pretend I was one of the fantasy characters on TV,” said Sun Ying, explaining her interest in Hanfu. She said she spends several thousand renminbi on Hanfu each year, including material to make her own. I see it in some sense as a form of fantasy and escapism, like cosplay or role-playing video games are for a lot of people. According to the Sohu report, about 92 percent of people buy their Hanfu from stores (rather than making it or having it made). Most Hanfu outfits cost 300-500 RMB ($45-70). Online sales are especially popular. The vast majority of people who wear Hanfu do so during hobbyist get-togethers or for photo shoots. Led by Guangzhou’s ‘Han Shang Hua Lian’, the top ten Hanfu stores on Taobao made 50.67 million transactions in November 2018, up 266 percent on the previous November. “I see it in some sense as a form of fantasy and escapism, like cosplay or role-playing video games are for a lot of people,” said Eric Fish, the author of China’s Millennials: The Want Generation. The annual Hanfu spend is estimated to be about 570 million RMB ($83 million), while Americans spent $3.4 billon on Halloween costumes in 2017. The vast gap between the two signifies a considerable opportunity for some Hanfu entrepreneurs. Some Hanfu wearers resent that comparison – “If I’m a cosplayer, then I’m cosplaying your ancestors! ” Kang Wei told the Chengdu Business Times – but even if Hanfu were only worn as costumes, that’s still a market with significant growth potential. Comparing Hanfu to Halloween is perhaps not as farfetched as some might claim it to be. National Dress or Nationalist Dress? Hanfu’s current popularity stems, in part, from the Hanfu Movement, started in the early 2000’s when a few members of China’s Han majority began wearing what they imagined as traditional Han clothing. Last year, video platform Bilibili and the Communist Youth League together declared April 18 China Hanfu Day, an opportunity to dress up not as ghosts or vampires, but in all kinds of traditional-looking Chinese clothing. Ethnic minorities therefore constitute approximately 139 million people, counting groups as diverse as the Zhuang, Hui, Miao, Muslim Uyghurs, Tujia, Mongols and Tibetans. It was their attempt to stand up for Han culture after myriad historical foreign invasions, ethnic Manchu rule during the Qing dynasty (1636-1912), and what they see as phoney multiculturalism in contemporary China. Han had a singular clothing style is a projection of nationalist, racialist, unificiationist ideology into a far more complex past,” he said. China is the biggest market in the world for major luxury brands, but consumers here have been quick to boycott foreign retailers and brands they perceive as racist – Dolce and Gabbana is one recent example. Fish said that the movement does have “patriotic undertones”, but that “most Hanfu enthusiasts are in it for the fashion and community more than a racial or xenophobic motivation.” In fact, contrary to popular belief, China’s “young people overall are progressively getting less nationalistic, and there have been studies to back that up,” he said. For the small minority who do see Hanfu as a nationalist movement and a rejection of foreign culture, its growing popularity might bring with it a modest movement away from the foreign brands with which China has been so enamoured. When Sun lived in Hangzhou, where she worked at a Toyota dealership, she bought clothes by Coach, Vero Moda and Taiwanese brand Girdear. “Chinese consumers are still avid buyers of foreign brands, but Chinese brands are gaining ground on them,” said Fish. The popularity of Hanfu does seems to be congruent with greater confidence in domestic fashion and design. “I see Hanfu as part of a growing confidence in the idea of China, at least. “There is a desire to see Chinese brands succeed and be internationally respected, so I think it’s possible that an informal ‘buy made in China’ drive could unfold in the fashion industry as higher quality products meet a desire to express national pride. “Like Han clothing, nationalist declarations are primarily performative. Whether that translates into confidence in Chinese brands is another matter altogether, he said. While wearing Chinese traditional clothing is a way for some to avoid conventional fashion boutiques and ignore what’s coming down the runway, for others it’s an aesthetic that marries well with contemporary fashion. Leading Chinese designers such as Uma Wang and Guo Pei have drawn extensively on traditional Chinese fashion in their designs. Younger Chinese designers are also drawing influences from Hanfu. Subcultures like Hanfu that hearken back to simpler, romanticised times can be very appealing. Hiuman designer Lola Chau, for instance, drew on the trend in her Spring/Summer 2016 collection. “Lots of my designs incorporate Hanfu thinking,” she said. It is certainly easier for Chinese brands and designers to tap into the fantasy of life in ancient China than it would be for their foreign counterparts. For now, Sun said, “I’m not interested in trendy clothes, or meme clothes. “In ancient times girls didn’t go out. “Modern life is not like the old times,” she continued. They stayed in sewing, so they could wear super long dresses and long sleeves, but they don’t suit modern life.” For that reason, she makes her Hanfu skirts shorter and the sleeves tighter. As China Becomes the World’s Largest Fashion Market, Could Local Players Dominate? 2024 The Business of Fashion.

Color is an essential aspect of calligraphy that can influence the overall impression of the script. When it comes to calligraphy, the color of the ink, paper, and other materials used can significantly impact the final result. Understanding the significance of color in calligraphy is crucial to create elegant and visually appealing scripts. Calligraphy is an art form that involves the use of various writing instruments and materials to create aesthetically pleasing text. For instance, black ink is often associated with formality, professionalism, and seriousness. In calligraphy, different colors can evoke different emotions and convey different meanings. Understanding the psychology of color can help calligraphers choose the right colors for their scripts. Contrast is another crucial aspect of color in calligraphy. Contrast refers to the difference in color between the ink and the paper. On the other hand, red ink is commonly used to signify passion, energy, and excitement. High contrast can make the script more legible and visually appealing. For instance, black ink on white paper provides high contrast, making the script more readable. Color harmony refers to the combination of colors used in calligraphy. On the other hand, low contrast can make the script hard to read and less visually appealing. Harmonious colors work together to create a pleasing visual effect. On the other hand, clashing colors can create an unpleasant visual effect. Calligraphers can use color theory to create harmonious color combinations. For instance, using complementary colors, such as red and green, can create a visually appealing script. The quality of the ink used in calligraphy can also impact the final result. On the other hand, low-quality ink can result in a faded, washed-out script. High-quality ink tends to have better color saturation, which can make the script more visually appealing. The color of the paper used in calligraphy can also impact the final result. White paper is the most commonly used paper color in calligraphy. However, colored paper can add a unique and visually appealing touch to the script. For instance, using black paper with white ink can create a striking contrast. Calligraphers must consider various factors, such as color psychology, contrast, color harmony, ink quality, and paper color, to create visually appealing and elegant scripts. By understanding the significance of color in calligraphy, calligraphers can create scripts that evoke the desired emotions and convey the intended meanings. Color plays a significant role in calligraphy. Color plays a significant role in psychology, and it has been proven that it can impact our emotions, moods, and behavior. Different colors can evoke various feelings and emotions, and understanding these color associations can help us use them to our advantage. For example, red is often associated with passion, love, and excitement, while blue is often associated with calmness, trust, and serenity. The use of color in branding and marketing is an excellent example of how companies use colors to evoke specific emotions and influence consumer behavior. For example, in Western cultures, white is often associated with purity, while in many Eastern cultures, it is associated with mourning and death. 1. Cultural associations: Color associations can vary widely among different cultures. 2. Personal preferences: People often have different color preferences based on their personalities and experiences. Therefore, it is essential to consider cultural associations when using color to evoke emotions. 3. Gender associations: Research has shown that men and women often have different color preferences. For example, someone who loves the color yellow may associate it with joy and happiness, while someone who dislikes it may associate it with sickness or cowardice. For example, women tend to prefer softer colors like pink and lavender, while men prefer bolder colors like black and blue. 4. Color combinations: The way colors are combined can also impact our emotions. Understanding the significance of color in psychology can help us use it to our advantage in various aspects of our lives, from branding and marketing to interior design and personal style. By choosing colors that evoke positive emotions and associations, we can improve our moods, behavior, and overall well-being. For example, red and yellow together can evoke feelings of excitement and energy, while blue and green together can evoke feelings of calmness and relaxation. Color plays a vital role in many aspects of our lives, and the trading jackets of Open Outcry Trading are no exception. The significance of these colors is essential to the functioning of the trading floor, helping traders quickly identify each other and their respective firms. For decades, the colors of these jackets have represented not only individual traders but also the firms they work for. The colors are also an essential indicator of market activity, with bright colors used to represent more active traders. The colors of the trading jackets are not just a fashion statement but a symbol of identity and affiliation. 1. Identification: One of the primary reasons for the use of colors in trading jackets is for identification. With many traders on the trading floor, it is crucial to quickly identify who is who. The different colors of the jackets help to distinguish traders from one another and make it easier to identify traders representing different firms. Each firm has its own unique color, and traders representing that firm wear that color. 2. Affiliation: The colors of the trading jackets are also a symbol of affiliation. This helps to create a sense of belonging and identity within the firm, and also helps to differentiate between firms on the trading floor. Bright colors such as red and yellow are often used to represent more active traders who are trading in high volumes. 3. Market Activity: The colors of the trading jackets can also indicate market activity. This helps other traders to quickly identify market trends and adjust their trading strategies accordingly. 4. Visibility: The colors of the trading jackets are also chosen for their visibility. Bright colors can be seen from a distance and help traders to quickly locate each other on the trading floor. The significance of color in trading jackets cannot be overstated. In addition, the use of high-visibility colors can help to improve safety on the trading floor, with traders more easily seen by others. The use of colors has become an iconic part of Open Outcry Trading, and will continue to play an essential role in this industry for years to come. Color is one of the most significant elements in Uma Upadhyay’s artwork. The colors help to identify traders and their respective firms, indicate market activity, and improve visibility and safety on the trading floor. Her art is a reflection of her personal experiences and the world around her, making the use of color an essential tool in conveying her message. Different colors evoke different emotions and meanings, and in Uma’s art, each color has a specific significance. The use of color in her paintings is not just for aesthetic purposes, but it also reflects her cultural identity, emotions, and beliefs. 1. Red: In Uma’s paintings, red is often used to represent passion, love, and energy. For example, in her painting “The Power of Love,” Uma uses various shades of red to depict the intensity of love and passion. 2. Blue: Blue is one of the most commonly used colors in Uma’s art, representing calmness, serenity, and spirituality. It also signifies power, strength, and courage. In her painting “The Blue World,” Uma uses shades of blue to depict the vastness and depth of the ocean. It also symbolizes trust and loyalty. It also symbolizes intellect and wisdom. In Uma’s painting “The Golden Dawn,” yellow is used to depict the rising sun, which represents new beginnings and opportunities. 3. Yellow: Yellow is a bright and vibrant color that represents happiness, joy, and optimism. In Uma’s painting “The Green World,” she uses shades of green to depict the beauty and tranquility of nature. 4. Green: Green is the color of nature and represents growth, harmony, and balance. 5. Black and White: Uma also uses black and white in her art, which represents simplicity and elegance. Color plays an essential role in Uma Upadhyay’s art, representing emotions, beliefs, and culture. In her painting “The Yin and Yang,” Uma uses black and white to depict the balance between opposing forces. Her art is a beautiful reflection of her inner self, and color is an essential tool in conveying her message. The use of color in her paintings is not just for aesthetic purposes, but it also has a deeper meaning, reflecting her personal experiences and worldview. From the ancient times, silk has been an important part of Chinese culture, and its production and usage were considered a symbol of prosperity. Silk has played a significant role in the development of Hanfu fashion. The early Hanfu was made from hemp and ramie, but with the development of the Silk Road, silk became readily available and was used as a primary material for Hanfu. 1. Significance in Hanfu Design: Silk has a unique texture and luster that makes it a perfect material for Hanfu design. The use of silk in Hanfu fashion has had a profound impact on the style, appearance, and symbolism of the traditional Chinese dress. The use of silk in Hanfu design has allowed for intricate embroidery and patterns to be added to the dress, making it a work of art. 2. Symbolism: In Chinese culture, silk is a symbol of wealth, status, and elegance. The soft and smooth texture of silk makes it a comfortable material to wear, while its luster adds a luxurious touch to the dress. The use of silk in Hanfu fashion was not only a reflection of the wearer’s social status but also a symbol of cultural identity. Silk was used to represent the refinement and sophistication of the Chinese people. 3. Production and Trade: Silk production and trade played a significant role in the development of the Silk Road, which was a network of trade routes connecting China to the Mediterranean. The Silk Road facilitated the exchange of goods, culture, and ideas, including the use of silk in Hanfu fashion. The production and trade of silk contributed to the growth of the Chinese economy and helped establish China as a major cultural and economic power. The unique texture and luster of silk continue to be a sought-after material, and its use in fashion design reflects the enduring legacy of the Silk Road and Hanfu fashion. 4. Modern Applications: Today, silk is still used in the production of Hanfu and is also incorporated into modern fashion designs. The use of silk has allowed for intricate designs and patterns to be added to the dress, while its symbolism represents the refinement and sophistication of the Chinese people. The use of silk in Hanfu fashion has had a profound impact on the style, appearance, and symbolism of the traditional Chinese dress. Today, silk continues to be a sought-after material in fashion design, reflecting the enduring legacy of the Silk Road and Hanfu fashion. The production and trade of silk played a significant role in the development of the Silk Road and contributed to the growth of the Chinese economy. Accessories play an important role in Hanfu fashion as they enhance the beauty of the outfit and complement the overall look. They can either be bold or subtle, depending on the wearer’s preference and the occasion. Accessories can range from headwear, footwear, belts, jewelry, and bags. They can be made of different materials such as silk, jade, gold, and silver, among others. In this section, we will delve into the different types of accessories used in Hanfu fashion. These accessories are not only meant to complement the outfit but also to showcase the wearer’s social status, personality, and taste. 1. Headwear: This includes hairpins, hairbands, hats, and headdresses. These accessories come in different shapes and sizes, and they are used to embellish the hair and the head. It was a symbol of her power and status. 2. Footwear: Hanfu footwear is known for its comfort and elegance. For instance, a phoenix crown is a type of headdress that was worn by the empress during ancient times. The most common types of footwear include flat shoes, boots, and sandals. For example, the lotus shoes were worn by women during the Ming dynasty. These shoes are often made of silk, cotton, or leather. They were small in size and had a curved shape, which was meant to showcase the wearer’s delicate feet. 3. Jewelry: Jade and gold are the most common materials used to make Hanfu jewelry. These pieces of jewelry include earrings, necklaces, bracelets, and rings. They are often adorned with precious stones and intricate designs. For instance, jade pendants were worn by both men and women during ancient times. They were believed to possess mystical powers that could bring good luck and ward off evil spirits. 4. Bags: Hanfu bags are often small and made of silk or cotton. These bags often come in different shapes and sizes, and they are often adorned with tassels and embroidery. They are used to carry personal belongings such as money, makeup, and handkerchiefs. They are often used to showcase the wearer’s social status, personality, and taste. Whether you choose bold or subtle accessories, they are sure to make a statement and enhance your look. Accessories are an essential part of Hanfu fashion as they add beauty and elegance to the outfit. The Silk Road was a vital trade route that connected the East and West, and it was a place where cultures, ideas, and fashions were exchanged. The influence of Hanfu can still be seen in the fashion of modern-day China and beyond. Along the ancient Silk road, Hanfu fashion was one of the most influential styles and has left an enduring legacy. 1. Hanfu fashion has had a significant impact on fashion in China. In this section, we will discuss the enduring legacy of Hanfu fashion and how it has influenced fashion on the Silk Road. The Cheongsam is a form-fitting dress that was popularized in the 1920s. It features a high collar, a slit skirt, and intricate embroidery, all of which are elements of Hanfu fashion. Many traditional Chinese garments are still inspired by Hanfu fashion, such as the Cheongsam. The Cheongsam has become a symbol of Chinese culture and is worn on special occasions, such as weddings and festivals. For example, in Korea, the traditional dress, Hanbok, has been influenced by Hanfu fashion. 2. Hanfu fashion has also influenced fashion in other countries along the Silk Road. The Hanbok is still worn on special occasions, such as weddings and festivals. 3. The enduring legacy of Hanfu fashion is not just limited to traditional clothing. The Hanbok features a flowing skirt, a high waistline, and a jacket with wide sleeves, all of which are elements of Hanfu fashion. Many contemporary designers have been inspired by Hanfu fashion and have incorporated elements of it into their designs. It has also influenced modern fashion. For example, the famous fashion designer, Guo Pei, has created dresses that are inspired by Hanfu fashion. Her designs feature intricate embroidery, flowing fabrics, and traditional Chinese motifs. For example, in the popular Chinese drama, “The Untamed,” many of the characters wear costumes that are inspired by Hanfu fashion. 4. Hanfu fashion has also influenced popular culture. The show has become a cultural phenomenon, and its influence can be seen in the fashion of young people in China. The enduring legacy of Hanfu fashion on the Silk Road cannot be overstated. Its influence can still be seen in traditional clothing, modern fashion, and popular culture. Hanfu fashion has left an indelible mark on the Silk Road and will continue to inspire designers and fashion lovers alike.

Here’s more info on mamian qun have a look at our own webpage.

The modern Chinese tunic suit is a style of male attire originally known in China as the Zhongshan suit (simplified Chinese: 中山装; traditional Chinese: 中山裝; pinyin: Zhōngshān zhuāng) after the republican leader Sun Yat-sen (Sun Zhongshan). Sun Yat-sen introduced the style shortly after the founding of the Republic of China (1912-1949) as a form of national dress with distinct political overtones. The four pockets are said to represent the Four Virtues of propriety, justice, honesty, and shame; and the five buttons the branches of China’s former government (Executive, Legislative, Judicial, Examination, Control). The name “Mao suit” comes from Chinese Communist Mao Zedong’s fondness for the style. After the Communist victory in the Chinese Civil War and the establishment of the People’s Republic of China in 1949, such suits came to be worn widely by male citizens and government leaders as a symbol of proletarian unity and an Eastern counterpart to the Western business suit. The garment became closely associated with him and with Chinese Communism. Mao’s cut of the suit was influenced by the Stalin tunic then prevalent among Soviet officials. Although it declined in use among the general public in the 1980s and 1990s due to the increasing prominence of the business suit, it is still commonly worn by Chinese leaders during important state ceremonies and functions. In the 1960s and 1970s, the Mao suit became fashionable among Western European, Australian, and New Zealander socialists and intellectuals. The Mao suit was also worn in North Korea by party elites. When the Republic was founded in 1912, the style of dress worn in China was based on Manchu dress (qipao and changshan), hanfu inspired wedding dress which had been imposed by the Qing Dynasty as a form of social control. It was sometimes worn over a turtleneck. The majority-Han Chinese revolutionaries who overthrew the Qing were fueled by the failure of the Qing to defend China and a lack of scientific advancement compared to foreign colonial powers. The Zhongshan suit is a parallel development that combined European-inspired Chinese fashion. Even before the founding of the Republic, older forms of Chinese dress were becoming unpopular among the elite and led to the development of Chinese dress which combined the changshan and the European hat to form a new dress. During the 1990s, it began to be worn with decreasing frequency by leaders of CCP General Secretary Jiang Zemin’s generation as more and more Chinese politicians began wearing traditional European-style suits with neckties. The Mao suit remained the standard formal dress for the first and second generations of PRC leaders such as Deng Xiaoping. Jiang wore it only on special occasions, such as state dinners. In the Xi Jinping Administration the Mao suit made a comeback as a diplomatic uniform and evening dress. The Mao suit is worn at the most formal ceremonies as a symbol of national sovereignty. China’s paramount leaders always wear Mao suits for military parades in Beijing, even though other Politburo Standing Committee members and other Politburo officials wear European business suits. It is customary for Chinese leaders to wear Mao suits when attending state dinners. Hu Jintao appeared at a black tie state dinner in the United States wearing a business suit, attracting some criticism for being underdressed at a formal occasion. The Mao suit also serves as a diplomatic uniform. Although Chinese ambassadors usually wear European business suits, many Chinese ambassadors choose to wear a Mao suit when they present their credentials to the head of state. In this situation, the Mao suit serves as a form of evening dress, equivalent to a military uniform for a monarch, or a tuxedo for a paramount leader. Mao Zedong wearing the suit, c. M. S., Journalism; B. A., Humanities. The presentation ceremony is symbolic of the diplomatic recognition that exists between the two countries, so it carries a higher level of formality than other diplomatic meetings. Gunde, Richard (2002). Culture and customs of China. Westport, Conn: Greenwood Press. Barmé, Geremie (2016). Shades of Mao: the posthumous cult of the great leader. Johansson, Perry (2015). The libidinal economy of China: gender, nationalism, and consumer culture. Strittmatter, Kai (2012). China: an introduction to the culture and people. Сталинка” – Намедни. Наша Эра”. London: Armchair Traveller at the bookHaus. Chow, Jason (January 20, 2011). “What to Wear to a State Dinner”. Scene Asia. Wall Street Journal. Montefiore, Clarissa Sebag. “From Red Guards to Bond villains: Why the Mao suit endures”. But Wednesday night, Chinese President Hu Jintao did not wear a tuxedo. Instead, he opted for a dark suit and a conservative blue tie. On a sartorial level, the Chinese President was shown up by his American counterpart and the first lady. Macartney, Jane (January 20, 2011). “Hu’s lounge suit was wrong on all counts”. The Times (London). Hu Jintao should have chosen a beautifully cut Mao suit instead of a blue-spotted tie for his first White House state dinner. President Obama wore an elegant dinner jacket, and his wife, Michelle, a flowing red dress by Alexander McQueen. The White House Historical Association.

Archived from the original on February 18, 2017. Retrieved January 30, 2016. The President and Mrs. Clinton are hosting His Excellency President Jiang Zemin and Madame Wang Yeping at a White House State Dinner on Wednesday, October 29, 1997. President Jiang and Madame Wang will arrive at the North Portico at 7:15 p.m.. Ramzy, Austin (March 25, 2014). “A Chinese-Style Suit for Xi Jinping’s European Trip”. President Xi Jinping wore a modified Mao suit to a state dinner hosted by the Dutch royal family in Amsterdam on Saturday, eliciting surprise from Chinese citizens who are used to their leaders’ sartorial decisions being a model of suit-and-tie uniformity. Embassy of the People’s Republic of China in the Republic of Iceland. Ministry of Foreign Affairs of the People’s Republic of China. Sinosphere. The New York Times. Ministry of Foreign Affairs of the People’s Republic of China. This page was last edited on 7 December 2024, at 22:09 (UTC). Wikimedia Commons has media related to Mao suit. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

How to choose Hanfu hats that complement your face shape? The journey to finding the perfect Hanfu hat starts with a profound understanding of one’s face shape. This step transcends mere aesthetics; it acts as a bridge to the rich cultural heritage that Hanfu attire embodies, allowing individuals to connect with history through the lens of fashion. Select a Hanfu hat that balances your features; wide brims suit round faces, while tall hats elongate square shapes. Start by pulling your hair back to clearly see your face’s outline in a mirror. Discovering your face shape turns into an engaging exploration of self-awareness, revealing the unique contours that define your identity. This process encourages you to pinpoint the widest part of your face, the shape of your jaw, and the overall length of your face. For a clearer perspective, drawing your face’s outline on the mirror with an erasable marker might help. Record the distances across your forehead, cheekbones, jawline, and from your forehead to your chin. Taking precise measurements of your face with a tape measure can offer more accuracy. Comparing these measurements against standard shape profiles guides you towards a deeper understanding of your facial structure. Diving into the features of various face shapes unveils a myriad of attributes, each carrying its own beauty and allure. The cheeks are notably the widest part of the face, beautifully complemented by a soft, rounded jaw that gives a circular effect. Oval Faces: Oval faces stand out with their elongated shape, where the length beats the width, topped with slightly wider cheekbones and a gently rounded jaw. Round Faces: These faces shine with soft, rounded edges, where the width and length are in perfect harmony, radiating a youthful glow. Square Faces: Square faces boast a prominent, angular jawline and a wide forehead. The dimensions across the forehead, cheekbones, and jawline match closely, showcasing a strong and assertive look. Heart-Shaped Faces: These faces start with a wider forehead that elegantly tapers to a narrower chin, highlighted by high cheekbones. This configuration presents a soft yet angular charm, symbolizing a balance of features. Long Faces: Also known as “rectangular,” this face shape is longer than it is wide, with a straight cheek line. This shape wins praise for its flexibility, accommodating an extensive array of hairstyles and hats. Understanding these unique face shapes enables individuals to make enlightened choices when picking Hanfu hats. The forehead, cheekbones, and jawline align in parallel, creating a regal and stretched appearance. Matching the hat style with your face shape not only enhances your natural beauty but also honors the cultural significance of Hanfu. This careful selection boosts the overall aesthetic, ensuring a look that is both balanced and in sync with the historical values of Chinese culture. Exploring the rich tapestry of Hanfu culture reveals not just a fashion statement but a deep-seated reverence for tradition and history. Through this mindful approach, one not only pays tribute to their heritage but also steps up their style, embodying the perfect blend of tradition and personal flair. The world of Hanfu hats is as varied as it is fascinating, offering a glimpse into the social norms, rank, and personal style of the ancient Chinese. Among the most captivating aspects of this cultural heritage are the Hanfu hats, each style echoing the stories and customs of ancient China. Jinxianguan (巾帽), for instance, is a type of hat commonly associated with scholars and literati. These traditional accessories range from the simple and understated to the intricate and symbolic, each carrying its own unique narrative. This hat not only served a practical purpose by shielding the wearer from the sun but also signified a distinguished social status. It often features a soft, rounded cap with a wing-like brim, symbolizing the wearer’s pursuit of knowledge and wisdom. Futou (幞头), another iconic style, was prevalent among officials and the gentry. This headgear, characterized by its long, wrapping cloth that extends from the back, represents the wearer’s authority and respectability. The meticulous manner in which the cloth was wrapped and tied indicated the meticulousness and discipline of the person wearing it. Delving deeper into the specific styles of Hanfu hats unveils a rich historical tapestry, where each design serves as a testament to the era it represents. It symbolized elegance and grace, particularly in the movements of the wearer, which were accentuated by the flowing fabric. Pibo (披帛), not strictly a hat but an essential accessory in traditional Hanfu attire, was a long scarf draped over the shoulders and often worn with formal garments. Mingguan (冕冠), a ceremonial crown, was reserved for the highest echelons of society, including emperors and high-ranking officials. The meticulous craftsmanship involved in creating these crowns, often using precious metals and jewels, reflected the wearer’s exalted position. Zhan Chi (展翅), translating to “spreading wings,” was a type of headgear that featured wing-like flaps on either side. Adorned with strings of beads and intricate patterns, the Mingguan was a symbol of supreme authority and divine right. This design was not only aesthetically pleasing but also carried symbolic meaning, often associated with protection and the ability to ascend to higher realms of existence. In the realm of Hanfu hats, each piece tells a story, a narrative woven into the very fabric of Chinese history. These hats are more than mere accessories; they are emblems of a bygone era, each style reflecting the societal values, rank, and personal identity of its wearer. Through this exploration, the intricate relationship between attire and societal structures in ancient China becomes vividly clear, offering insights into a world where fashion and tradition intertwine seamlessly. By understanding the significance behind these traditional hats, one gains a deeper appreciation for the cultural heritage of Hanfu and its enduring influence on Chinese identity and fashion. The key to selecting the ideal Hanfu hat lies in understanding the balance and symmetry of one’s facial features. By choosing hats that contrast with the natural contours of the face, one can create a harmonious and visually appealing look. Hats with a high crown and angular designs, such as the Wu Sha Mao, work wonders in elongating the face. For individuals with round faces, the goal is to add length and reduce the face’s perceived width. Additionally, opting for hats with minimal embellishment on the sides can further streamline the face’s appearance, making it appear more oval. The Wu Sha Mao’s structure introduces a vertical line, which draws the eye upward and creates the illusion of a longer face. However, the Tang Jin or Songkok hat, with its moderate brim and rounded crown, complements the oval face’s natural harmony. These hats enhance the face’s elegant symmetry without overpowering its features, making them a versatile choice for various occasions. Oval faces, characterized by balanced proportions, can pull off a wide variety of Hanfu hat styles with grace. Individuals with square faces benefit from hats that soften the sharp angles of their jawline and forehead. The Bianfu, with its wide brim and rounded edges, introduces a gentle curvature that balances the face’s angularity. The soft lines of the Bianfu hat create a pleasing contrast to the strong lines of a square face, offering a flattering and sophisticated look. The Dian Cui Mao, with its flared brim and decorative elements around the base, adds volume to the jawline area, achieving a more balanced facial proportion. Heart-shaped faces, with a wider forehead and a narrow chin, are best complemented by hats that widen the lower part of the face. This style not only enhances the face’s natural beauty but also adds a touch of regal elegance to the overall attire. For those with long faces, the objective is to reduce the face’s length and introduce a sense of width. Hats with a wide brim and low crown, such as the broad-brimmed Futou, are ideal as they draw attention horizontally, counteracting the vertical stretch of the face. Selecting the right Hanfu hat is more than a matter of personal style; it’s a way to honor the rich cultural heritage of Hanfu while highlighting one’s unique beauty. The Futou’s design elements, particularly when embellished with horizontal bands or patterns, further accentuate this effect, making the face appear more proportionate. By considering the shape of one’s face and the historical significance of different hat styles, individuals can make informed choices that celebrate both tradition and individuality. This thoughtful approach ensures that each person can wear their Hanfu hat with confidence, embodying the elegance and grace of ancient Chinese culture. Creating the perfect ensemble with Hanfu and traditional hats involves more than just selecting beautiful pieces; it’s about crafting a look that harmonizes with your personal style and enhances your natural features. When selecting a Hanfu hat, the first rule of thumb is to consider the size of the hat in relation to your face and body proportions. The following tips will guide you through balancing proportions, coordinating outfits, and adding personal touches to your Hanfu hat selections. A well-chosen hat will create a sense of balance, enhancing your overall appearance without overwhelming your features. For those with larger facial features or a broader physique, opting for hats with a wider brim or a more substantial design can provide a harmonious balance. An essential aspect to remember is the hat’s height and how it elongates your profile. A taller hat can add height to your appearance, which is particularly flattering for individuals with round or square face shapes. Conversely, if you have delicate features or a petite frame, a smaller, more refined hat will complement your proportions beautifully. The art of pairing Hanfu hats with outfits lies in understanding the color, pattern, and style of both the hat and the Hanfu. The goal is to achieve a cohesive look that tells a story through its colors and textures. Color Coordination: Aim for hats that either match or complement the primary colors in your Hanfu. If your outfit features intricate patterns, consider a solid-colored hat to avoid visual clutter. Style Harmony: Align the style of the hat with the era and design of your Hanfu. The final step in perfecting your Hanfu hat ensemble involves personalizing your look with accessories and personal touches. A more ornate, traditional hat pairs well with formal Hanfu robes, while a simpler, understated hat suits casual Hanfu garments. This is where your personality shines through, turning a traditional outfit into a reflection of your individual style. Decorative Pins and Jewelry: Embellish your hat with pins, brooches, or traditional Chinese hair jewelry to add a unique flair. Fabric Choices and Textures: Experiment with different fabrics and textures, both in your hat and your Hanfu. These can highlight the colors in your Hanfu or introduce new elements to your look. Silk, brocade, and linen offer distinct looks and can significantly impact your outfit’s feel. Adjusting the tilt of the hat or how it interacts with your hairstyle can dramatically change the look. Personal Styling: Consider how the hat sits on your head and how it frames your face. By paying attention to these styling tips, you can elevate your Hanfu ensemble, ensuring that every element, from the hat down, works together to create an aesthetically pleasing and culturally rich outfit. Remember, the key to a stunning Hanfu hat combination is not just in the beauty of the pieces themselves but in how they bring out the best in you, celebrating both tradition and personal expression.

Enter your username and password to login. The Tang suit, also known as Tangzhuang, is a Chinese jacket influenced by both Manchu and Han cultures. This attire consists of an inner and outer layer, with the outer layer being a mandarin jacket sporting a high collar. It features a front-closing mandarin collar adorned with frog buttons. Tang suits come in diverse styles, colors, and materials such as cotton, linen, and silk. It evolved from the Qing Magua, a stylish adaptation of the Manchu horsemen’s riding jacket. Each option showcases the uniqueness and distinction of this traditional attire, providing a glimpse into China’s cultural legacy.

This Article Contains Spoilers – WARNING: This article contains major spoilers. If you do not wish to know vital information on plot / character elements in a story, you may not wish to read beyond this warning: We hold no responsibility for any negative effects these facts may have on your enjoyment of said media should you continue. Tasting poisons and experimenting. Maomao is the titular main protagonist of the drama, mystery anime, light novel, and manga series The Apothecary Diaries. She is a young Chinese woman who lives and works as a lady in waiting in the Emperor’s Inner Palace after being kidnapped and sold off to her employers. Maomao is highly intelligent and was trained as an apothecary by her father, which gives her a general understanding of poison and diseases. This skillset helps her perform her job as a poison taster, lady in waiting, and unofficial investigator in the Inner Palace. She was voiced by Aoi Yūki in Japanese and Emi Lo in English, both of whom also voiced Lucyna Kushinada in Cyberpunk: Edgerunners. Maomao is a young, petite girl with light skin, dark green hair, and blue eyes. Her hair is styled in two low ponytails, which she drapes over her shoulders, and ties with two sets of decorative beads. The upper beads are pink, and the lower set are blue. She wears her hair half up, with a blue bow keeping the upper section in a messy bun. She wears makeup, including fake freckles, to make herself look unassuming. She can also be very intimidating when excited or angry, and her face takes on a more sinister look. She is rather pretty when not trying to make herself look plain, and when she wears formal makeup, she is noted to be quite beautiful. The inner layer of her top is white, and the collar is pale and dark green. She wears an Aoqun hanfu, with a light green top and a long, burgundy skirt. She also wears dark green flats. Maomao is generally rather subdued, and tries to navigate life without getting involved in other people’s troubles. Maomao also has white bandages on her left arm, which conceal several scars she gained from her experiments with poisons and herbs. Maomao also has a deep fascination with herbs and poisons, which she is incredibly enthusiastic and excited about. Maomao is curious, perceptive, and highly intelligent. However, she is a hard worker and actually does care for others, as evidenced by her constant efforts to help people with their issues, despite initial hesitation. She was an apprentice to her father, the doctor Luomen, who taught her extensive medical knowledge and skills such as patience and being observant. Maomao prioritizes knowledge about the effects of medicines and herbs even above her own personal safety, to the point that she frequently experiments on herself to learn about their effects. As a result, she has come to learn many things about them, and has even developed an immunity to many poisons by building up her tolerance. She is also frequently consulted by the high consorts and Jinshi when mysterious events occur in the rear palace, winter hanfu male since she is often able to help solve the issues at hand. Maomao has a strong moral compass and sense of responsibility. For this reason, she is actually very excited to be a poison taster, counter to everyone’s expectations. Many of the other ladies in waiting find Maomao to be frightening since she does not hold back with scoldings, and has even slapped those who deserve it before. She is not afraid to scold others, including the attendants of Lady Lishu and Lady Lihua, who were either directly undermining or carelessly endangering the consorts they were attending. At times, she will even upset the hierarchical order in order to speak up for one consort or another, or will deliberately hide certain information she has in order to prevent harm to the people around her, despite potential personal risk if she is found out. In truth, Maomao is rather kind-hearted, and does her best to make sure as many people as possible can be happy and safe. Maomao is somewhat cynical and very practical due to her upbringing and knowledge of the world. She is very aware of her position in society, and the dangers of being a young woman in the time period. Although there are things Maomao would rather avoid, such as death, being kidnapped again, or becoming a courtesan, she rarely exhibits much distress. She is respectful to those higher in the palace than her, and while she develops amicable relationships with many of them, she is also still aware of the inherent power imbalance her job causes. She has a suprisingly flippant attitude towards these things, and reacts somewhat abnormally to danger. She is not typically fearful, and is instead more likely to try and think of practical ways to avoid unpleasant matters. Her Japanese Voice Actress, Aoi Yūki, also voiced Lucyna Kushinada in Cyberpunk: Edgerunners, Setsuna Tokage and Tsuyu Asui in My Hero Academia, Madoka Kaname in Puella Magi Madoka Magica, Lysithea von Ordelia in Fire Emblem: Three Houses, Female Rookie in Sonic Forces, Eevee in Pokémon: Let’s Go, Pikachu! Maomao’s name means “cat”, doubly, in Chinese, reflecting to the gag of her having cat ears and other feline features. Finch in Xenoblade Chronicles 2, Female Inugami in Gugure! Let’s Go, Eevee!, Hibiki Tachibana in Senki Zesshou Symphogear, Sticks the Badger in Sonic Boom, Iris in Pokémon the Series: Black and White, Lulu in League of Legends, Menat in Street Fighter V, Summer Adams in Yo-kai Watch Shadowside, Noramyako in Doraemon movie, Nodoka Hanadera in Healin’ Good♡Pretty Cure, Mélie in Radiant, Meme Tatane in Soul Eater NOT! Her English Voice Actress, Emi Lo, also voiced Lucyna Kushinada in Cyberpunk: Edgerunners, Sariphi in Sacrificial Princess and the King of Beasts, Miri Unasaka in Buddy Daddies, Sisbell Lou Nebulis IX in Our Last Crusade or the Rise of a New World, Rena Ryuuguu in Higurashi: When They Cry (2020 series), Tsugumi Hattori in ORIENT, Destiny in Takt Op, Uta in Bubble, Tomo Aizawa (young) in Tomo-chan Is A Girl, Delmin in Show By Rock! Kokkuri-san, Traveler in Genshin Impact, Tatsumaki in One Punch Man, Diane in The Seven Deadly Sins, Tanya von Degurechaff in Youjo Senki: Saga of Tanya the Evil, Yuuki Konno in Sword Art Online, Futaba Sakura in Persona 5, Rita Rossweisse in Honkai Impact 3rd, Platinum the Trinity and Trinity Glassfield in BlazBlue: Continuum Shift Extend, Azusa Aizawa in I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Tamaki Kotatsu in Fire Force, Jubei Yagyu in Samurai Girls, Peashy in Hyperdimension Neptunia Victory, Shizuno Urushibara in World Break: Aria of Curse for a Holy Swordsman, Sariphi in Sacrificial Princess and the King of Beasts (Drama CD), and Gina Chamber in Undead Unluck. Mashumairesh!!, Michiru Inukai in Talentless Nana, Hawks (young) in My Hero Academia, Suma in Demon Slayer: Kimetsu no Yaiba, Mian Long in SHY, and Nekomamushi (young) in One Piece.

In case you loved this information and you would love to receive details concerning chinese clothes traditional generously visit our own web-site.